Meet the 2025 Dancers

The Terpsicorps Dancers 2025

Handpicked from companies across the US and abroad, our company dancers never disappoint.

These are just the beginning. Check back periodically as we update for the full cast!

Want to see your name featured beside a dancer’s for 2025? Become a dancer sponsor today!


MOrgan Stillman

Sponsored by Mountaine Jonas

Photo by Neil Gandhi

Morgan Stillman (Fourth Season) began his formal ballet training with Project Ballet in Fort Wayne, IN and attended Jacobs School of Music at Indiana University. In 2014, he joined Nevada Ballet Theatre and performed principal and soloist roles in an eclectic repertoire. Morgan joined Ballet Austin in 2017 and has performed featured roles with choreographers such as Justin Peck, Pam Tanowitz, Jessica Lang, Lar Lubovitch, Annabelle Lopez Ochoa, George Balanchine, Christopher Wheeldon, Jennifer Hart, and Amy Seiwert. Morgan has been a lead artist in many of Stephen Mills’ productions, with highlights including Hamlet (Hamlet), Petruccio (The Taming of the Shrew), Poe (Poe / A Tale of Madness), and in Light / The Holocaust & Humanity Project. He has also enjoyed performing principal roles in The Sleeping Beauty, Swan Lake, Cinderella, Romeo & Juliet, and The Firebird. Morgan also performed with the National Choreographers Initiative in Invine, CA in 2017 and 2018.

Terpsicorps audiences will remember Morgan as the Wind in Salvatore Aiello’s Satto and the shooter in Before the Scream in 2024, Julius Caesar in Cleopatra in 2023 and Lord Ruthven in Vampyre in 2022

As Julius Caesar in Cleopatra w/ Madeline Bay, photo by Irwin Fayne

As Lord Ruthven in Vampyre, photo by Irwin Fayne


Betsy Lucas

photo by Virginia Trudeau Photography

Betsy Lucas (Fourth Season) was born in Hillsboro, Oregon and trained with the School of Oregon Ballet Theatre under the direction of Damara Bennet. In 2010 she joined Nevada Ballet Theatre, where she has remained for 13 seasons. Betsy’s repertoire includes lead roles in several full-length classics: “Clara” in NBT’s production of The Nutcracker, choreographed by James Canfield, “Wendy” in Jorden Morris’ Peter Pan, “Beauty,” in Lew Christensen’s Beauty and the Beast, "Alice" in Septime Webre Alice (In Wonderland), "Svetlana" in Ben Stevenson's Dracula, Serenade (Soloist Russian Girl), and Western Symphony (1st movement Principal.) When not performing, Betsy enjoys teaching in various dance studios, sewing costumes and rehearsal wear for her own dance wear line, Style En Pointe.

Terpsicorps audiences will remember Betsy in Run Ragged and Second Line in 2024, as Calpurnia in Cleopatra in 2023 and as the young Italian Girl in Vampyre in 2022.

As Calpurnia in Cleopatra w/ Morgan Stillman (photo by Studio Misha)

In Second Line (photo by Irwin Fayne)


Jeff Ewing

Jeff Ewing (Eleventh Season) is from Torrance, California where he began his classical ballet training at the age of six. His family moved to Asheville while he was in high school, where he continued his studies locally at Center Stage with Heather Maloy as his ballet instructor. Jeff has danced in Chicago with Lucky Plush Productions and Cocodaco Dance Project and currently dances with Stewart/Owen Dance.  He earned a BFA in Dance Performance at the Boston Conservatory, studied at the Juilliard Summer intensive, the apprentice program at The Chautauqua Institution, and assisted Cathy Young at Bates Dance Festival.  He spent a year dancing with Charlotte Ballet’s second company where he performed the works of Mark Diamond, Dwight Rhoden, and David Ingram.

Terpsicorps audiences will remember Jeff as the B-Boy in Before the Scream in 2024, Pothinus in Cleopatra, as well as his roles in HUNGER, Second Line, Transform, Together We Soar, Coach Potatoes, Zelda’s Dance and many more.

As Pothinus in Cleopatra w/ Madeline Bay (photo by Studio Misha)

In Second Line (photo by Irwin Fayne)


Lelo Ima Rosado González

Sponsored by Judi Maloy

Photo by Quinn Wharton

Lelo Ima Rosado González (Second Season) was born and raised in Puerto Rico. Lelo began training in gymnastics in their early years and, at the age of 9, started ballet with Bellas Artes de Arecibo (Arts School) under Lisbeth Zeda, Wayne Report, and Carla Curret. During their first year, they were awarded a scholarship to train at Ballet de San Juan. At age 13, Lelo became the only person in Puerto Rico to earn a scholarship, titled Futuro Danzante (Future Dancer), which created an opportunity for them to train under Waldo Gonzalez at the School for the Performing Arts. There Lelo developed their ballet skills and expanded their dance vocabulary in modern, musical theater, and hip-hop. During that time, Lelo began high school and enrolled in “Julian E. Blanco Escuela Especializada en Ballet” (Specialized School in Ballet) where they remained for three years. At 16 Lelo was awarded a two-year scholarship with the Central Pennsylvania Youth Ballet (CPYB) where they gained the opportunity to dance in ballets by George Balanchine and Alan Hineline. Lelo was part of Ballet Idaho, for three seasons, having enjoyed featured roles in The Nutcracker, Lar Lubovitch’s Concerto 622, and as “Bird” in Anne Mueller’s Peter and the Wolf. Lelo is currently a Semi-soloist with Mauro Ballet in Puerto Rico.

Terpsicorps audiences will remember Lelo in the solo Stayed on Freedom, as the Sneak in Before the Scream and in Second Line in 2024

In Stayed on Freedom (photo by Tanja Kuic)

In Second Line (photo by Irwin Fayne)


Cecily Khuner

Cecily Kuhner Terpsicorps dancer

Photo by Ziggy Mack

Cecily Khuner (Second Season) grew up in Berkeley California and received her dance training at Berkeley Ballet Theater and San Francisco Ballet School. In 2009 she was named a NFAA YoungArts winner in Ballet. In 2010 she joined Ballet Memphis where she is now in her fifteenth season. With Ballet Memphis Cecily has performed the roles of Juliet in Steven McMahon’s Romeo and Juliet, Titania in Mark Godden’s A Midsummer Night’s Dream, Paquita in Paquita Grand Pas Classique, Sugar Plum and Dew Drop in The Nutcracker and Lucy in Steven McMahon’s Dracula. She has also danced Second Violin in George Balanchine’s Concerto Barocco, the lead in Gerald Arpino’s Birthday Variations, and featured roles in works by Trey McIntyre, Matthew Neenan, Gabrielle Lamb, and Mariana Oliveira. In addition to Ballet Memphis Cecily has danced and choreographed for West Edge Opera, and spent several summers performing with Julia Adam Dance in the Bay Area.

Terpsicorps audiences will remember Cecily from the Sneeze in Before the Scream and in Second Line in 2024

In Second Line (photo by Irwin Fayne)

In Before the Scream with Garret McNally (photo by Tanja Kuic)


Garret McNally

Garret McNally (Second Season)  began his classical training in 2008 at the Robert Ivey Ballet in Charleston, SC. In 2014, he attended the UNC School of the Arts. High School Program training under Susan Jaffe, Jared Redick, Misha Tchoupakov, Frank Smith, and others. There his passion for dancing grew, performing many works including August Bournonville’s Napoli Pas de Six, Frederick Ashton’s Birthday Offering, George Balanchine’s Allegro Brillante, Donizetti Variations, and Serenade, Helen Pickett’s Petal, Natalia Makarova’s La Bayadere, and Michel Folkine’s Les Sylphides

Afterwards, he joined the New Orleans Ballet Theatre amid studying History at the University of New Orleans. After graduating in 2021, he joined the Richmond Ballet as a Second Company dancer being promoted into the main company the following season. There he worked and performed in Malcolm Burn’s Romeo & Juliet, Stoner Winslett’s Echoing Past, and The Nutcracker, Ma Cong’s Thrive, Firebird, and Ershter Vals, Jerome Robbins’ In the Night, George Balanchine’s Allegro Brillante, and Serenade, as well as works by Jennifer Archibald, Val Caniparoli, Yury Yanowsky, Nicolo Fonte, and Katarzyna Skarpetowska. Garret is currently with Ballet Rhode Island where he is featured in principal roles.

Terpsicorps audiences will remember Garret from the Sneeze and Pizza in Before the Scream and in Second Line in 2024

In Second Line with Cecily Khuner (photo by Irwin Fayne)

In Before the Scream (photo by Tanja Kuic)


And more to come!